An image sticks with me from this season’s many female-driven contenders — that of Danielle Deadwyler’s Mrs. Mamie Till-Mobley. At the end of “Till,” she is planted onstage at a rally. With erect posture, she wears her Sunday best, red lips and finest necklace, following the racially motivated murder of her only son…
Read More
Subscribe to Updates
Get the latest creative news from FooBar about art, design and business.